Drew McManus on the Orchestra business | est. 2003

Crowdsourcing Mask Knowledge

Tue, Oct 10, 2020
by Drew McManus
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In a perfect world, musicians would have ample time to try a variety of face masks in order to find options that provide maximum safety and comfort. Having said that, things are far from perfect and the cost of buying a few dozen masks is an expense most musicians aren’t in a position to absorb.

Consequently, it’s been fascinating watching musicians connect across social media to share experiences.

For example, this post from conductor Larry Loh garnered a great deal of useful feedback from colleagues.

https://www.facebook.com/lawrencelohconductor/posts/3568949099834371

Bassoonist (and foster cat mom extraordinaire) Sue Heineman posted something similar just yesterday and is already getting a good bit of useful feedback

https://www.facebook.com/sue.heineman.14/posts/10158071590697917

My wife, violinist Holly Mulcahy, did a good bit of crowdsourced research before settling on some masks sold by an online retailer that specializes in dancewear.

https://www.facebook.com/holly.mulcahy/posts/10157559344641074

Let’s keep the crowdsource thing going. Are there any good threads you’ve come across with useful information about face masks?

About Drew McManus

"I hear that every time you show up to work with an orchestra, people get fired." Those were the first words out of an executive's mouth after her board chair introduced us. That executive is now a dear colleague and friend but the day that consulting contract began with her orchestra, she was convinced I was a hatchet-man brought in by the board to clean house.

I understand where the trepidation comes from as a great deal of my consulting and technology provider work for arts organizations involves due diligence, separating fact from fiction, interpreting spin, as well as performance review and oversight. So yes, sometimes that work results in one or two individuals "aggressively embracing career change" but far more often than not, it reinforces and clarifies exactly what works and why.

In short, it doesn't matter if you know where all the bodies are buried if you can't keep your own clients out of the ground, and I'm fortunate enough to say that for more than 15 years, I've done exactly that for groups of all budget size from Qatar to Kathmandu.

For fun, I write a daily blog about the orchestra business, provide a platform for arts insiders to speak their mind, keep track of what people in this business get paid, help write a satirical cartoon about orchestra life, hack the arts, and love a good coffee drink.

View all posts by Drew McManus | Website

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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.