A Must Read

If you haven’t read John Fleming’s article in the 6/29/2008 edition of the St. Petersburg Times that chronicles the story of violinist Stewart Kitts then you’re missing out. At a time when newspapers appear to be shedding salaried music critics and cultural reporters, it is heartening to see a paper reaffirm the value of such professionals by devoting the necessary amount of space to properly tell a story such as this. If you aren’t already familiar with the events from Stewart Kitts’ drug addiction, the article provides everything you need to know. Granted, you don’t encounter too many instances when professionals fall prey to dangers of drug addiction because most musicians get burnt out from that lifestyle before their careers get very far off the ground. As such, I hope John is able to do a companion article at some point about destructive drug use among aspiring musicians.

About Drew McManus

"I hear that every time you show up to work with an orchestra, people get fired." Those were the first words out of an executive's mouth after her board chair introduced us. That executive is now a dear colleague and friend but the day that consulting contract began with her orchestra, she was convinced I was a hatchet-man brought in by the board to clean house.

I understand where the trepidation comes from as a great deal of my consulting and technology provider work for arts organizations involves due diligence, separating fact from fiction, interpreting spin, as well as performance review and oversight. So yes, sometimes that work results in one or two individuals "aggressively embracing career change" but far more often than not, it reinforces and clarifies exactly what works and why.

In short, it doesn't matter if you know where all the bodies are buried if you can't keep your own clients out of the ground, and I'm fortunate enough to say that for more than 15 years, I've done exactly that for groups of all budget size from Qatar to Kathmandu.

For fun, I write a daily blog about the orchestra business, provide a platform for arts insiders to speak their mind, keep track of what people in this business get paid, help write a satirical cartoon about orchestra life, hack the arts, and love a good coffee drink.

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