Congratulations To The Adaptistration Premium Subscription Winners!

The 2011 Readership Segmentation Survey drawing took place over the weekend and three winners have been identified. The grand prize winner receives a full access pass, valued at $80.00, through December 31, 2011 while the remaining two win a single subscription pass, valued at $50.00 each, through December 31, 2011…

Congratulations to:

  • Rebecca from Arizona: Grand Prize, full access pass winner.
  • Adam from Florida: single subscription pass winner.
  • Carla from Michigan: single subscription pass winner.

My sincere thanks to everyone who took the time to complete the surveys. The information is being process and the early results indicate that there have been some fascinating changes in the way you process cultural news and discussion and the importance placed on specific mediums. Look for more details toward the end of the week. In the meantime, stop by Adaptistration Premium and have a look around at what the winners get to enjoy and treat yourself to a subscription!

Postscript: For those interested in the latest on Riccardo Muti’s impending surgery, Andrew Patner is keeping running accounts of updates at his blog, The View from Here

About Drew McManus

"I hear that every time you show up to work with an orchestra, people get fired." Those were the first words out of an executive's mouth after her board chair introduced us. That executive is now a dear colleague and friend but the day that consulting contract began with her orchestra, she was convinced I was a hatchet-man brought in by the board to clean house.

I understand where the trepidation comes from as a great deal of my consulting and technology provider work for arts organizations involves due diligence, separating fact from fiction, interpreting spin, as well as performance review and oversight. So yes, sometimes that work results in one or two individuals "aggressively embracing career change" but far more often than not, it reinforces and clarifies exactly what works and why.

In short, it doesn't matter if you know where all the bodies are buried if you can't keep your own clients out of the ground, and I'm fortunate enough to say that for more than 15 years, I've done exactly that for groups of all budget size from Qatar to Kathmandu.

For fun, I write a daily blog about the orchestra business, provide a platform for arts insiders to speak their mind, keep track of what people in this business get paid, help write a satirical cartoon about orchestra life, hack the arts, and love a good coffee drink.

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