There’s nothing quite like an old media vs. new media discussion; you can always count on it producing a few worthwhile bang-your-head-against-the-wall moments but the potential entertainment value doubles when the discussion panel is comprised of music critics. Case in point, there’s a fantastic blog post at sfciviccenter.blogspot.com that provides a firsthand account of a discussion panel from the 2011 Music Critics Association of North America annual meeting.
The new/old media panel was comprised of New York Times classical music critic Anthony Tommasini, freelance writer Chloe Veltman, Washington Post music critic Anne Midgette, cultural blogging ninja Lisa Hirsch, San Francisco Classical Voice Executive Director John Robinson, and world-wide multi-genera culture critic John Rockwell. If Vegas was taking bets on which panelist knew the subject matter best, I would guess that the smart money was on Hirsch.
What’s particularly compelling about this account is how the author was struck by how little most panelists seemed to understand about new media to begin with.
It was fun seeing a number of famous faces…but with a few exceptions the panel was remarkably ignorant about “new” media.
I don’t want to spoil the fun but if you’re pressed for time, here’s the short attention span summary:
- Tommasini’s frustration stems from his failure to understand his readership and the new media platform.
- Veltman might have something to contribute once she stops thinking about herself.
- Midgette might realize the difference between print and online writing but you can’t know that yet because it’s embargoed.
- Hirsch is the Keymaster and Gatekeeper rolled into one when it comes to new media know-how.
- Who is John Robinson and why was he on the panel?
- Rockwell may get it and he didn’t beat around the bush but he didn’t have any answers either.
As someone who enjoys image enhanced blog posts, I appreciated the author’s inclusion of what I assume are his personal digital pics of each speaker during his/her respective presentation. To that end, it was tough to miss out on how the author noticed Veltman pining for foundation support and expressing frustration over having to pay “a mere pittance” to one of her radio show staffers while simultaneously sporting a pair of Dolce&Gabana sunglasses atop her head during the presentation.
There’s a situational irony punch line there somewhere. Until we find it, check out the full blog post.
I find the absence of Alex Ross very interesting, but happy that Ms. Veltman continues to burnish her reputation.
Having attended an almost identical panel discussion at the Opera American Conference in L.A. last year (“The Changing Media Landscape” with Mark Swed, Anne Midgette, Brian Holt, and Tim Mangan), I can attest to remarkably similar results. Most everyone seemed a bit lost, in some cases shockingly so. Here’s what I said then:
http://www.brianhinrichs.com/2010/06/classical-critics-at-opera-america-2/
Regarding Alex Ross’s absence, he was in Italy. No idea whether he would have been at MCANA if he had not been traveling.
Take a look at http://www.therestisnoise.com/ for details of his travels and some lovely photos.