NYTimes Sends Regional Arts Coverage Gently Into That Goodnight

The 8/31/2016 edition of deadline.com published an article by Jeremy Gerard that reports the New York Times (NYT) has phased our regional arts and culture coverage in the New York tristate region. The opening paragraph packs a powerful punch by underscoring the likely negative outcomes.

The New York Times this week quietly ended its coverage of restaurants, art galleries, theaters and other commercial and nonprofit businesses in the tri-state region, laying off dozens of longtime contributors and prompting protests from many of the institutions that will be affected. They foresee an impact not only on patronage but, in the case of the nonprofits, on their ability to raise funds to survive.

While arts and culture coverage throughout traditional media outlets has been in a decade long cycle of retrenchment, it’s still a downer way to end the week.

About Drew McManus

"I hear that every time you show up to work with an orchestra, people get fired." Those were the first words out of an executive's mouth after her board chair introduced us. That executive is now a dear colleague and friend but the day that consulting contract began with her orchestra, she was convinced I was a hatchet-man brought in by the board to clean house.

I understand where the trepidation comes from as a great deal of my consulting and technology provider work for arts organizations involves due diligence, separating fact from fiction, interpreting spin, as well as performance review and oversight. So yes, sometimes that work results in one or two individuals "aggressively embracing career change" but far more often than not, it reinforces and clarifies exactly what works and why.

In short, it doesn't matter if you know where all the bodies are buried if you can't keep your own clients out of the ground, and I'm fortunate enough to say that for more than 15 years, I've done exactly that for groups of all budget size from Qatar to Kathmandu.

For fun, I write a daily blog about the orchestra business, provide a platform for arts insiders to speak their mind, keep track of what people in this business get paid, help write a satirical cartoon about orchestra life, hack the arts, and love a good coffee drink.

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