Drew McManus on the Orchestra business | est. 2003

Resources

Compensation Resources

From 2005-2021, one of the most popular and eagerly anticipated series of articles at Adaptistration are the Orchestra Compensation Reports. Published in June each year, this annual event examined the compensation trends among orchestra executives, music directors, and concertmasters at more than 65 professional U.S. orchestras.

Report Index

The Orchestra Compensation Reports

String Instrument Cost of Ownership

Have you ever thought about how much maintaining an instrument will cost an orchestra string musician during his/her career?"

Counting The Costs

Counting The Costs Q&A

The Orchestra Website Reviews

The Orchestra Website Reviews were an annual series published each fall from 2004 through 2012. The final year installment was delayed and modified due to Orchestra Crisis 2012/13 throwing a particularly large wrench into the works.

Reviews Index

Orchestra Governance Essays

Here’s a breakdown of who’s who in orchestra governance and how they fit together. There’s no spin here, you get an inside look into the good, the bad, and the ugly behind those who influence how orchestras function.

Boards

Administrators

Music Directors

Musicians

Musicians' Unions

All Others

Even More Fun…

Editorial Cartoons

Take A Friend To Orchestra Month

Take A Friend To The Orchestra Resource Site

All About Negotiations

The first step in understanding how your local orchestra functions as an organization is to understand the basic principles behind the document that deals with nearly every facet of its operations: the Collective Bargaining Agreement (CBA).

How It Works

Who Does What

Why Bother?

A Historical Timeline

What Happens When A Contract Expires?

Understanding The Difference Between A Strike And A Lockout

Let’s Talk About The Unionized Environment Within The Orchestra Field
Who’s Minding The Score?
Archives
About
Contact

Drew McManus

Appearing Today on WNYC’s Soundcheck

Mon, Jul 7, 2005

by Drew McManus

I’ll be appearing today on WNYC’s Soundcheck with Jon Schaefer between 2:00-3:00 EST today…

Peter Dobrin Couldn’t Be More Right

Mon, Jul 7, 2005

by Drew McManus

Philadelphia Inquirer music critic, Peter Dobrin, deserves the recognition for being the only mainstream media journalist to hit the bull’s-eye when it comes to this nonsense in Baltimore. His article in Sunday’s Inquirer isn’t about glass ceilings, famous firsts, sexism, elitism, or any other “-ism”. Instead, it’s about what really matters…

BSO’s Glicker: “We Need To Teach The Musicians A Lesson”

Fri, Jul 7, 2005

by Drew McManus

Throughout the course of the past week, there has been much discussion about the recent appointment of Baltimore’s new music director. From the very onset of that discussion, the bulk of the major media outlets have been focusing on the appointee and the resulting conflict between the BSO’s musicians and executive leaders….

How Do You Evaluate A Music Director?

Fri, Jul 7, 2005

by Drew McManus

In a related event to yesterday’s article about Music Director compensation and assessment, I received a note from Erich Graf, Utah Symphony principal flute and president of AFM Local 104…

Richard Dyer Couldn’t Be More Wrong

Thu, Jul 7, 2005

by Drew McManus

Richard Dyer’s article appearing in today’s Boston Globe should receive an award for being the only article about this mess in Baltimore which comes as far away as possible from hitting the mark…

Click. Buy. Done.

Connect with patrons. Streamline processes. Increase revenue.

Your patrons are used to buying experiences from Amazon, Google, and Apple, so why would you give them anything less?

Our Ticketing CRM gives patrons the experience they expect while offering powerful ticketing, fundraising, and membership features that are easy for both of you to use.

Learn More Book A Demo

Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.