Drew McManus

It seems there’s an even wider range of opinion about Blair Tindall’s book than I originally thought.  After posting yesterday’s article I received a digital avalanche of email messages from people in, out, around, and withdrawn from the music business. Many of the notes were filled with sincere feelings about the place of sex and

I’ve received some intriguing email from people in the business about Blair Tindall’s new book, Mozart in the Jungle.  What makes the email intriguing is the wide variety of responses; it ranges from shock and anger to unrestrained giddiness. For those unfamiliar with the book, Blair discusses obtaining playing jobs throughout New York City in

It’s not an uncommon practice for orchestras to subcontract out the services of their ensemble to the local opera companies.  Orchestras from smaller budget ROPA ensembles, like Richmond (VA) through larger ICSOM groups, like St. Louis, do it on a regular basis.  However, what works in one locale does not necessarily transfer equally to another.  

I returned from Caracas very late last evening and am just getting acclimated back from the wonderful hospitality of my Venezuelan and New England Conservatory Youth Philharmonic orchestra hosts. I’ll be taking a few days to catch up on everything but there’s much to discuss about what I encountered during the past four days.  The

I’m off to Caracas for a few days for my excellent Venezuelan adventure (details of which were posted a few days ago).  If I can wrangle some internet access while I’m away I’ll post a play by play of the events. I received a note from Ben Zander, who is already on site, this morning