Drew McManus on the Orchestra business | est. 2003

Acoustics

Orchestral Acoustics 101: Avery Fisher Hall

Wed, Aug 8, 2009
by Christopher Blair
Adaptistration People 016
What went wrong, and how to fix it Christopher Blair –  full time acoustician, part-time conductor,  3rd time blogger. “For me the evening can’t end soon enough. I head back to my hotel with a splitting headache triggered by the blare of the orchestra and that spot in the Mahler where a percussionist strikes a
Keep Reading
,
12 comments

Orchestral Acoustics 101: Vineyard vs. Shoebox

Tue, Aug 8, 2009
by Christopher Blair
Adaptistration People 016
Are visual intimacy and sonic-envelopment mutually exclusive? Christopher Blair –  full time acoustician, part-time conductor, 2nd time blogger. Following up on our previous discussion of acoustic conditions for orchestral players, comes a discussion of the two most popular ways of arraying the audience for concerts, along with the acoustical and visual advantages and disadvantages typically
Keep Reading
,
23 comments
Previous

Click. Buy. Done.

Connect with patrons. Streamline processes. Increase revenue.

Your patrons are used to buying experiences from Amazon, Google, and Apple, so why would you give them anything less?

Our Ticketing CRM gives patrons the experience they expect while offering powerful ticketing, fundraising, and membership features that are easy for both of you to use.

Learn More Book A Demo

Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.