Orchestral Acoustics 101: Avery Fisher Hall

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What went wrong, and how to fix it Christopher Blair –  full time acoustician, part-time conductor,  3rd time blogger. “For me the evening can’t end soon enough. I head back to my hotel with a splitting headache triggered by the blare of the orchestra and that spot in the Mahler where a percussionist strikes a rail with a sledgehammer….There’s enough blame to go around, of course, but by now I’ve become …

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Orchestral Acoustics 101: Vineyard vs. Shoebox

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Are visual intimacy and sonic-envelopment mutually exclusive? Christopher Blair –  full time acoustician, part-time conductor, 2nd time blogger. Following up on our previous discussion of acoustic conditions for orchestral players, comes a discussion of the two most popular ways of arraying the audience for concerts, along with the acoustical and visual advantages and disadvantages typically encountered in each.  The question for today’s exploration is how many of these positive and negative …

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