Current Events
A Glimpse Into Alt Performance Activity During The Pandemic
Tue, Jul 7, 2020
by Drew McManus
There’s a thought-provoking article by Jim Farber in the 7/14/2020 edition of sfcv.org of his review of the Mainly Mozart festivals performance via drive in movie facility. The location checks off all the boxes needed to satisfy patron health and safety concerns while simultaneously providing its own set of unique logistical challenges. What’s particularly interesting
Time To Think About Loss Aversion
Fri, Jul 7, 2020
by Drew McManus
There’s a superb article by David Maggs in the 7/20/2020 edition of The Philanthropist that takes an unvarnished look at finding opportunity in an environment of uncertainty and anxiety. By that, I don’t mean using a crisis to consolidate power, rather, letting go of sacred cows long enough to see what they’ve been keeping you
Shop Talk Is (Finally) Coming Back
Wed, Jul 7, 2020
by Drew McManus
Only 16 months after the first (and only) episode, the Shop Talk video podcast series is finally coming back. Compared to the time between Game Of Thrones seasons, it’s not really all that bad of a wait. I have guests and topics compiled but now that we’re neck deep in the era of COVID, I’m
A Scientist Turned Musician On The Need For Expertise In The COVID-Era
Tue, Jul 7, 2020
by Drew McManus
Over the weekend, Jason Haaheim, Metropolitan Opera Orchestra Principal Timpanist, published a thought-provoking piece at his blog about the necessity of expertise in the age of COVID. The post covers a lot of ground and weaves in and out of direct connectivity to the nonprofit performing arts field but, on this topic, it’s decidedly a
Top-Tier Musician Compensation For 2020 Is Skipping A Season
Thu, Jul 7, 2020
by Drew McManus
Each year, we take some time to examine base musician compensation levels at the top eight highest paying orchestras. But thanks to the impact COVID-19 is having on orchestra collective bargaining agreements (CBA), we’ll need to postpone this installment a year. Unlike executive, music director, and concertmaster figures examined in the annual compensation reports, these
