Interlochen Center For The Arts

At the conclusion of Part 3 I left off with the promise of presenting a challenge system designed to maintain the benefits of the old system as well as address some of the observations and concerns expressed to me by the more than 80 Interlochen faculty members I interviewed.

To continue where I left off in Part 2, I’ll continue analyzing the rational for eliminating the challenge system as provided during my interview with Michael Albaugh, Interlochen’s Director of Music.

Picking up where I left off from the end of the decision making articles (Part 1 & Part 2), I am now going to begin examining Interlochen’s challenge system in detail. We’ll begin by examining the challenge system that has been eliminated as well as the current system the Interlochen administration has created to replace

To continue where I left off in The “Challenges” Facing Interlochen Part 1, I’ll now focus on the specific rationale behind why the old challenge system (hereto referred to as “challenges”) was eliminated and list the goals of the new audition policy.

To continue where we left off in Part 1,we will resume our examination of the flaws in the research process of a major institutional decision.