I smell something blowing in the wind; it’s a storm moving in from the Atlantic. As with all things, the classical music business follows certain cycles and right now it’s in a transition period. As with all periods of transition, there’s the possibility of positive and negative outcomes, however, I have no idea where these

This week is Chamber Music America’s 28th Annual National Conference and on Friday, the 13th (yes, I know) I’ll be a panelist for a discussion about how CMA members can use blogs to build an audience and make a connection with their fans. Joining me on the panel are two infinitely entertaining and sharp individuals,

Joe Patti, the blogmeister over at Butts In The Seats, posted an excellent article the other day about some fundamental issues with arts research. In particular, he puts a nice twist on the issues raised by intertwining some of his recent experience with managing his presenting house. A good bit of the qualitative data research

The first part of this series concluded with examining some of the pros and cons of a musician or manager publishing a weblog anonymously or openly with regard to their identity. Today’s installment continues with that idea by providing some specific examples…

Given the boom of musician bloggers (and mini-boom of managers who blog) over the last year, it’s inevitable that some of them are going to discover blogs have the potential to help or hurt a career. Over the holiday season I received an interesting email from a reader asking about that very issue…