2007 – Page 46 – Adaptistration

Drew McManus on the Orchestra business | est. 2003

Resources

Compensation Resources

From 2005-2021, one of the most popular and eagerly anticipated series of articles at Adaptistration are the Orchestra Compensation Reports. Published in June each year, this annual event examined the compensation trends among orchestra executives, music directors, and concertmasters at more than 65 professional U.S. orchestras.

Report Index

The Orchestra Compensation Reports

String Instrument Cost of Ownership

Have you ever thought about how much maintaining an instrument will cost an orchestra string musician during his/her career?"

Counting The Costs

Counting The Costs Q&A

The Orchestra Website Reviews

The Orchestra Website Reviews were an annual series published each fall from 2004 through 2012. The final year installment was delayed and modified due to Orchestra Crisis 2012/13 throwing a particularly large wrench into the works.

Reviews Index

Orchestra Governance Essays

Here’s a breakdown of who’s who in orchestra governance and how they fit together. There’s no spin here, you get an inside look into the good, the bad, and the ugly behind those who influence how orchestras function.

Boards

Administrators

Music Directors

Musicians

Musicians' Unions

All Others

Even More Fun…

Editorial Cartoons

Take A Friend To Orchestra Month

Take A Friend To The Orchestra Resource Site

All About Negotiations

The first step in understanding how your local orchestra functions as an organization is to understand the basic principles behind the document that deals with nearly every facet of its operations: the Collective Bargaining Agreement (CBA).

How It Works

Who Does What

Why Bother?

A Historical Timeline

What Happens When A Contract Expires?

Understanding The Difference Between A Strike And A Lockout

Let’s Talk About The Unionized Environment Within The Orchestra Field
Who’s Minding The Score?
Archives
About
Contact

Sad, Sad News

Tue, Feb 2, 2007

by Drew McManus

Salem Woman Driving Wrong Way on I-5 Kills Two Eugene Symphony Members More articles as of 11:50a.m. CT:

Sometimes More Is Less

Tue, Feb 2, 2007

by Drew McManus

Fellow Arts Journal blogger Greg Sandow wrote to me the other week with a fascinating question…

All I Really Need To Know About How To Attend A Classical Music Concert I Learned In Kindergarten

Mon, Feb 2, 2007

by Drew McManus

The Partial Observer published an article of mine last week that is the result of some bad concert experiences I have endured since the onset of the 2006-2007 season. These occurrences had nothing to do with the quality of performers on stage, rather, they had everything to do with the behavior of my fellow concertgoers.

2006 Compensation Report: ICSOM Concertmasters

Fri, Feb 2, 2007

by Drew McManus

New for the 2006 Adaptistration Compensation Reports is a dedicated entry for ICSOM concertmasters. In actuality, the inclusion of ICSOM concertmasters isn’t exactly new but in the 2004 and 2005 editions, they were included alongside the ICSOM music director reports… Who Is This Concertmaster Person? For those not already familiar with what the concertmaster position

Compensation Reports

2006 Compensation Report: ICSOM Music Directors

Thu, Feb 2, 2007

by Drew McManus

This year’s ICSOM Music Director Report doesn’t reveal any new benchmarks in earning, in fact, the average music director compensation for the 2003-2004 season decreased from the previous season… Where The Numbers Come From All data presented in these reports coincide with the corresponding documentation from the 2003-2004 season. In order to provide information that

Compensation Reports

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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.