Drew McManus on the Orchestra business | est. 2003

Resources

Compensation Resources

From 2005-2021, one of the most popular and eagerly anticipated series of articles at Adaptistration are the Orchestra Compensation Reports. Published in June each year, this annual event examined the compensation trends among orchestra executives, music directors, and concertmasters at more than 65 professional U.S. orchestras.

Report Index

The Orchestra Compensation Reports

String Instrument Cost of Ownership

Have you ever thought about how much maintaining an instrument will cost an orchestra string musician during his/her career?"

Counting The Costs

Counting The Costs Q&A

The Orchestra Website Reviews

The Orchestra Website Reviews were an annual series published each fall from 2004 through 2012. The final year installment was delayed and modified due to Orchestra Crisis 2012/13 throwing a particularly large wrench into the works.

Reviews Index

Orchestra Governance Essays

Here’s a breakdown of who’s who in orchestra governance and how they fit together. There’s no spin here, you get an inside look into the good, the bad, and the ugly behind those who influence how orchestras function.

Boards

Administrators

Music Directors

Musicians

Musicians' Unions

All Others

Even More Fun…

Editorial Cartoons

Take A Friend To Orchestra Month

Take A Friend To The Orchestra Resource Site

All About Negotiations

The first step in understanding how your local orchestra functions as an organization is to understand the basic principles behind the document that deals with nearly every facet of its operations: the Collective Bargaining Agreement (CBA).

How It Works

Who Does What

Why Bother?

A Historical Timeline

What Happens When A Contract Expires?

Understanding The Difference Between A Strike And A Lockout

Let’s Talk About The Unionized Environment Within The Orchestra Field
Who’s Minding The Score?
Archives
About
Contact

Drew McManus

Funny Is Relative

Mon, May 5, 2006

by Drew McManus

A number of readers weighed in with their opinions last Friday…

Apparently, It Takes More Than “Obvious Looks Of Disapproval”

Fri, May 5, 2006

by Drew McManus

On average, I’m not the kind of individual that finds most of the humorous content sent to me via email all that funny. The operative word there is “most”.

Supply & Demand or Supplying the Demand?

Thu, May 5, 2006

by Drew McManus

In December, 2005 I published an article at the Partial Observer which examined the impact Yale School of Music’s decision to go tuition-free for graduate students would have on the classical music business…

Turning Lemons Into Lemonade

Wed, May 5, 2006

by Drew McManus

Just a short post today because I want to put something up letting everyone know that I’ll be releasing some really fascinating material toward the end of May or beginning of June. I’ve had the good fortune to work with an accomplished systems expert who came up with an idea that should go a long

Who Knows What Evil Lurks In The Hearts Of Men?

Tue, May 5, 2006

by Drew McManus

Apparently, it’s no longer The Shadow; instead, it’s Blognoggle, which professes to shadow the top 100 classical music blogs. Blognoggle comes straight from the mind of none other than Jerry Bowles, the editor of Sequenza21.com, a hotbed of contemporary music discussion and just about anything else cutting edge related to classical music (assuming that’s not

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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.