Drew McManus on the Orchestra business | est. 2003

Drew McManus

All About Negotiations

Mon, Apr 4, 2006
by Drew McManus
Polyphonic.org launched their inaugural Virtual Panel Discussion today… In order to provide as broad a view as possible on this subject, Polyphonic.org has assembled a wide-ranging cross section of professional negotiators, executive managers, and knowledgeable musicians from a variety of ICSOM, ROPA, and OCSM ensembles. Each panelist retains a great deal of unique experience working
Keep Reading
No comments

TAFTO 2006 Contribution – Joe Patti

Mon, Apr 4, 2006
by Drew McManus
To round out our TAFTO 2006 contributions I thought it would be appropriate to do something out of the ordinary. As such, our final contributor is providing a two part installment. Part 1 will cover the details behind his organizing a TAFTO event to an orchestra which is the only American ensemble than can rightfully
Keep Reading
2 comments

TAFTO 2006 Contribution – Pete Matthews

Fri, Apr 4, 2006
by Drew McManus
TAFTO wouldn’t be complete without a contribution from a “knowledgeable nonprofessional classical music activist” and this year that role is being filled by Pete Matthews. Pete’s contribution chronicles his trials and tribulations with regard to hauling his friends off to classical music concerts. That’s right; you’re going to get to read about several real life
Keep Reading
No comments

TAFTO 2006 Contribution – Brian Sacawa

Thu, Apr 4, 2006
by Drew McManus
It’s not easy to create a successful music blog entirely on your own with no affiliation to a larger website or the benefit of name recognition that an established journalist has. You have to have loads of creativity and personal charm. Saxophonist Brian Sacawa has used those precise skills and done exactly that with his
Keep Reading
3 comments

TAFTO 2006 Contribution – Timothy Judd

Tue, Apr 4, 2006
by Drew McManus
A TAFTO initiative simply isn’t complete without a contribution from a real live orchestra musician. This year’s contribution comes from Timothy Judd, a violinist in the Richmond Symphony Orchestra. If you’re interested in seeing the issues of audience development from the eyes of a professional orchestra musician and like straightforward, detailed ideas then this is
Keep Reading
4 comments
Previous Next

Click. Buy. Done.

Connect with patrons. Streamline processes. Increase revenue.

Your patrons are used to buying experiences from Amazon, Google, and Apple, so why would you give them anything less?

Our Ticketing CRM gives patrons the experience they expect while offering powerful ticketing, fundraising, and membership features that are easy for both of you to use.

Learn More Book A Demo

Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.