TAFTO Contribution – Lisa Hirsch

Although she claims to be a technical writer, self described opera geek Lisa Hirsch’s writing reads like anything but dry, technical, stereo instructions.  Instead, her blog, The Iron Tongue of Midnight (I like it when people use some of the more obscure quotes from Shakespeare) is a veritable clearinghouse of fantastic ideas and discussions on a variety of culture concerns.

Lisa’s TAFTO contribution is also one of the most unique and well thought out pieces yet.  I’ll add some of my own thoughts to her superb point of view; but first, enjoy her contribution.

 

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TAFTO Contribution – Bill Eddins

Conductor and pianist William (Bill) Eddins has been a really popular guy this past year. Most notably, he was appointed as the music director for the Edmonton Symphony and as such has been the focus of dozens of newspaper articles worldwide and oh yes, he’s also the principal guest conductor of the National Symphony Orchestra of Ireland (not to mention the co-author of teh blog, Sticks and Drones)…

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TAFTO Contribution Drew McManus On WNYC

The good folks at WNYC’s Soundcheck came up with a great idea for participating in Take a Friend to Orchestra month.  From their website today: May is “Take a Friend to Orchestra Month,” a new initiative started by Drew McManus, author of the blog “Adaptistration” at Artsjournal.com, in order to bring newcomers to the concert hall. In the spirit of the month, Drew has taken host John Schaefer’s brother Jerry to …

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Off To Carnegie For My TAFTO Experience

I’m off to Carnegie Hall where I’ll be meeting up with some new friends who will be experiencing their fist classical music concert.  Along for the experience is Brian Wise, WNYC’s Soundcheck producer, and the group will be listening to an all Bartok concert performed by the Chicago Symphony Orchestra. The orchestra will be led by Pierre Boulez and will feature CSO music director, Daniel Barenboim on piano performing Bartok’s Piano …

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TAFTO Contribution – Frank Manheim

I consider myself fortunate to come across individuals like Frank Manheim during my lifetime.  Frank is the benchmark for a “knowledgeable nonprofessional classical music activist”.  His passion for the art moves him well beyond pontification into that realm of activism.

His personal research and effort into a variety of endeavors to benefit classical music in a number of mediums are simply too numerous to mention.  Frank’s contribution recounts a lifetime of personal experience and is filled with so much good material you’ll need to read it through a few times just to absorb everything.

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