Drew McManus

Since we all can’t be professional musicians or veteran orchestra managers with the confidence to take someone to an orchestra concert and show them the ropes it pays to look at things from the eyes of someone on the outside looking in. The average experienced orchestra patron probably believes that they don’t know very much

U.K. based harpist extraordinaire, Helen Radice, is one of the most imaginative music bloggers around today.  Her weblog, Twang, Twang, Twang (I bet you don’t forget that name), contains paragraph after paragraph of razor edge wit and observation about the music world and other sundry items as she sees fit to include them. Although much

TAFTO contributor, Patricia Emerson Mitchell, posted a bit of a follow up to her contribution from Tuesday, May 4th on her weblog, www.oboeinsight.com.  It’s a compelling piece worth your taking the time to read.  Here’s a snippet to get you hooked: “I remember listening to a recording of a work with a friend once. The

An Adaptistration reader who wishes to remain anonymous submitted the following question to Henry Fogel after reading his TAFTO contribution. Question:  Do the ASOL members have future plans to institute some form of this middle-class- friendly ticket policy for orchestra level seats?  Or are orchestras only interested in nurturing rich and affluent, and generally suburban,

Patricia Emerson Mitchell is the principal oboe for Opera San Jose and second oboe for both Ballet San Jose Silicon Valley and Symphony Silicon Valley.  In addition to being a professional musician, Patricia is also one of the few musicians who have entered the world of music blogging in its early formation. Her weblog, Oboeinsight