Drew McManus
State Of Employment Poll & Review July 27 – August 2
Mon, Jul 7, 2020
by Drew McManus
There’s no getting around the fact that week 16 was a rough week for stakeholder employment status. While per-service musicians continued to share the largest ratio of economic pain, administrators saw some steep shifts of those moving from under-employed to unemployed statuses. Sobering Statistics For the first three weeks, approximately 70 percent of administrators indicated
Time To Think About Loss Aversion
Fri, Jul 7, 2020
by Drew McManus
There’s a superb article by David Maggs in the 7/20/2020 edition of The Philanthropist that takes an unvarnished look at finding opportunity in an environment of uncertainty and anxiety. By that, I don’t mean using a crisis to consolidate power, rather, letting go of sacred cows long enough to see what they’ve been keeping you
German Researches Plan Live Event To Study COVID-19 Transmission
Thu, Jul 7, 2020
by Drew McManus
This could be one of the most important studies in the next month that could help the arts and culture section get back up and running safely with live events sooner than later. The University Medical Center Halle (Saale) have designed a series of live, indoor concert events to “research framework conditions under which such events can be carried
Shop Talk Is (Finally) Coming Back
Wed, Jul 7, 2020
by Drew McManus
Only 16 months after the first (and only) episode, the Shop Talk video podcast series is finally coming back. Compared to the time between Game Of Thrones seasons, it’s not really all that bad of a wait. I have guests and topics compiled but now that we’re neck deep in the era of COVID, I’m
A Scientist Turned Musician On The Need For Expertise In The COVID-Era
Tue, Jul 7, 2020
by Drew McManus
Over the weekend, Jason Haaheim, Metropolitan Opera Orchestra Principal Timpanist, published a thought-provoking piece at his blog about the necessity of expertise in the age of COVID. The post covers a lot of ground and weaves in and out of direct connectivity to the nonprofit performing arts field but, on this topic, it’s decidedly a
