Drew McManus on the Orchestra business | est. 2003

The Future

Embracing Innovation Over Hibernation

Tue, Jun 6, 2020
There’s a fabulous piece making the rounds written by Seth Pinsky that was originally published in the 6/13/2020 edition of cnn.com. Pinsky, the former head of New York’s Economic Development Corporation under Mayor Bloomberg and the CEO of the 92nd Street Y, provides the cultural sector with exactly the right advice at exactly the right

It’s Time To Leave Panic Mode Behind

Tue, May 5, 2020
There’s no shortage of panic inducing discussions and news floating around. Big budget groups like the Guthrie Theater and The Met have announced or are telegraphing the punch of prolonged closures that gut most of the 20/21 season. If that weren’t enough, the timing of service organization annual conferences happened to fall right when we’re

#TBT Commencement Season

Thu, May 5, 2018
Adaptistration People 150
It’s that time of year when colleges are sending their recent crop of graduates into the great unknown and that means commencement speeches. Based on experience, I try to avoid commencement speeches but every now and then, something really special turns up. Case in point, I posted something back in 2012 about Neil Gaiman’s Commencement

Where Did I Put Those Grumpy Pants?

Tue, Jan 1, 2018
Adaptistration People 128
Douglas Rosenthal published a delightful article at Who’s Your Audience? that puts a fun spin on the traditional New Year’s resolution theme by coming up with a shortlist of things he doesn’t want to hear you talking about connected to the classical music field. Admittedly, I write this post wearing my Grumpy Pants. But I’m

Are We Using “The Imprimatur Of A Brand Name As A Shortcut For Hiring Decisions?”

Wed, Jul 7, 2017
Adaptistration People 150
There’s a fantastic post by Joe Patti in the 7/24/17 edition of Butts In The Seats that examines a decision by Harvard University to suspend graduate admissions for their theatre program after multiple years of unacceptable debt-to-earning potential for graduates. Patti’s article is a riff on a Chicago Tribune article by chief theater critic and
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