Drew McManus on the Orchestra business | est. 2003

Compensation Reports

2006 Compensation Report: ICSOM Music Directors

Thu, Feb 2, 2007
This year’s ICSOM Music Director Report doesn’t reveal any new benchmarks in earning, in fact, the average music director compensation for the 2003-2004 season decreased from the previous season… Where The Numbers Come From All data presented in these reports coincide with the corresponding documentation from the 2003-2004 season. In order to provide information that

2006 Compensation Report: ICSOM Executive Directors

Wed, Feb 2, 2007
The 2003-2004 season was a busy year for the executive shuffle among ICSOM ensembles. In fact, there was so much shuffling that almost 1/3 of all ICSOM symphonic orchestras had one or more executive receiving compensation for only a portion of the season. And then there’s that thing in Saint Paul… Where The Numbers Come

2006 Compensation Report: ROPA Music Directors

Tue, Feb 2, 2007
Much like their administrative counterparts, music directors serve as a sort of executive manager for nearly all things regarding artistic planning within an orchestra. As such, they should be subject to the same amount of scrutiny as executive administrators regarding their level of performance and if they are adequately fulfilling the duties of their post.

2006 Compensation Report: ROPA Executive Directors

Mon, Feb 2, 2007
The 2006 compensation reports are starting off a little differently as compared to previous years. This time around, the reports will begin with ROPA ensembles and with the ICSOM ensembles. Barring any unforeseen difficulties or pressing current events, the daily publication order will be ROPA executive directors, ROPA music directors, ICSOM executive directors, and ICSOM

2005 Compensation Report: ROPA Music Directors

Wed, Jul 7, 2005
Last in this series of compensation reports is the examination ROPA & IGSOBM ensemble music director compensation. Much like their administrative counterparts, music directors serve as the executive “manager” for nearly all things artistic, at the top level, within an orchestra (although that model is beginning to change). As such, they should be subject to
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