2005 Compensation Report: ROPA Executive Directors

Continuing with this year’s compensation reports, we move on to examine the executive director compensation at 33 ROPA & IGSOBM symphonic ensembles with annual budgets over $1 million. Following last year’s report, we discovered that the discrepancy between executive and musician base salaries was considerably larger than their counterparts in ICSOM ensembles. Let’s see what the numbers tell us for this year… Where The Numbers Come From The following “executive director …

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2005 Compensation Report: ICSOM Music Directors

Next in this series of compensation reports is the comparison between music directors, concertmasters, and base musicians for ICSOM & IGSOBM ensembles. Much like their administrative counterparts, music directors serve as the executive “manager” for nearly all things artistic, at the top level, within an orchestra (although that model is beginning to change). As such, they should be subject to the same amount of scrutiny regarding their level of performance on …

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2005 Compensation Report: ICSOM Executive Directors

The issue of executive compensation is one which draws a wide range of opinion from those inside and outside the business.  The subject has been of particular interest here at Adaptistration simply because using compensation figures is a common method used to evaluate a manager’s value and effectiveness. In last year’s ICSOM Executive Director report I predicted that even though orchestras, on average, continue to run up significant deficits while simultaneously …

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Reader Response: Reassessing The Music Director

Last weeks’ series on music directors generated a great deal of email from readers, most of which were musicians, and they have generously granted permission to include excerpts from their correspondence in today’s Reader Response.  But first, I wrote to JoAnn Falletta to ask a few questions about her role as music director for both the Buffalo Philharmonic and the Virginia Symphony.  Ms. Falletta graciously responded with these thoughts about her position in both orchestras:

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