Drew McManus on the Orchestra business | est. 2003

Compensation Reports

2020 Orchestra Compensation Reports: Executives

Tue, Jun 6, 2020
by Drew McManus
When it comes to executive compensation, the 2017/18 season saw a sharp uptick in skewed averages since we started tracking numbers thanks to an all-time high number of CEO vacancies and interim appointments. These occurred across the entire budget spectrum but most notably, three of the usual suspects in the Top 10 earners were between
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2020 Orchestra Compensation Reports: Introduction

Mon, Jun 6, 2020
by Drew McManus
As is the case with every annual orchestra compensation report, the most important element to keep in mind is these figures encompass the 2017/18 season and not the current season. Although it isn’t unusual to expect that the most recent figures available would cover the previous season, that’s not how things work thanks to these reasons: Most
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2019 Orchestra Compensation Reports: The Big Picture

Fri, Jun 6, 2019
by Drew McManus
Each year, one of the most popular items in the orchestra compensation reports is a big picture overview of all compensation alongside Total Expenditure figures. If you’ve been looking for something that shows all the report values in a single chart, this is your article. Sorry, but this information is only made available for one
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2019 Orchestra Compensation Reports: Concertmasters

Thu, Jun 6, 2019
by Drew McManus
After three consecutive years of decline, the 2016/17 season continued to see positive gain in the average concertmaster’s compensation level. Nonetheless, overall growth over the last decade continues to be far below their music director and executive peers. The Information In order to provide information that is as accurate as possible, info from the 2016/17 season is
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2019 Orchestra Compensation Reports: Music Directors

Wed, Jun 6, 2019
by Drew McManus
If you were a music director during the 2016/17 season, there’s a good chance you had several hundred thousand good reasons to see it as a really good year and one conductor in particular had more than three million good reasons. But if we’re looking at things from middle out, music directors continued to maintain
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.