Featured

Ever since this blog launched in 2003, readers have always been more inclined to share thoughts via private email. Even though those exchanges regularly contain insightful content, their very nature prohibits public consumption. Nonetheless, guest blogger Chris Blair and I ended up having a fascinating exchange in the process of determining whether or not Chris

Anyone attending the League of American Orchestra’s recent conference in Atlanta was surely struck by the industry’s determination to adapt and change. At the opening “Orchestra R/Evolution” session, attendees were polled and not a single vote supported the status quo. Russell Willis Taylor general session keynote the next day, “There Are No Crises, Only Tough

Sunday’s Charleston Post and Courier quotes a former board member of the Charleston Symphony as saying “The current business model has proven over 10 years not to be viable.” The recent travails and controversy at the Pasadena Symphony provoked a considerable amount of national discussion, including Terry Teachout asking, in The Wall Street Journal, “What,

Yesterday I took a stab at describing the traditional concept of the “model” orchestra and today I ask whether this model still has validity in 2010; in doing so, I am going to make some sweeping generalizations. Please remember that, to a large extent, all orchestras are local—your orchestra is affected by and responds to

Recently it has felt like there are plenty of people out there suggesting that “the model” for how orchestras operate should be taken off life support and declared dead. This is followed by a call for orchestras to reinvent themselves as radically different (and often radically smaller) organizations. I don’t know that that this is