I recently published an article on my column at The Partial Observer that goes into some further details of the “Keeping Score” documentary that was featured on PBS last week.  But something that’s been itching at the back of mind since I watched the program is how it’s being billed.  According to the interactive multimedia

Continuing with the series of concert hall follow up articles, I recently touched base with administrators and members of the Richmond Symphony Orchestra. I asked David Fisk, the Richmond Symphony’s executive director, what sort of progress they’ve made and what they’ve done to include the musicians in the building process since last November. Regarding the

Along with several dozen other writers today, my topic will focus on the PBS special “Keeping Score”.  I had seriously considered skipping over the show as a topic but decided against it it was too good to pass over. Unfortunately, I missed a little bit of the first part but what I saw was absolutely

On Monday I published a follow up article about what’s happening at the Nashville Symphony and their new concert hall.  I recently heard from another of the concert hall study orchestras, the Dayton Philharmonic, about what’s been happening there. Dayton was unique in the study in that that they were the only orchestra that has

There’s an article in today’s Detroit Free Press by Frank Provenzano and Mark Stryker about a plan in Michigan to introduce a new tax that would raise and distribute funds to arts groups across the state. According to the article the legislation being introduced by state Sen. Shirley Johnson: ” calls for a 5-percent statewide

Lynn Sislo maintains a cultural blog entitled Reflections In D Minor and she recently posted a good idea for record companies to help attract and create further interest in new listeners.  The article is entitled “Marketing Classical Music: An Opportunity Ignored”, here’s an excerpt where Lynn identifies the problem: First, I’m looking at a CD

In Australia, the federal government recently began an audit to determine the financial viability and assess the board governance of their six state symphony and two pit orchestras. Furthermore, the audit will consider how the Australian government and orchestral groups can improve their relationship to ensure the long-term sustainability of Australia’s orchestras. This decision comes