Drew McManus
A Solution In Search Of A Problem At Indianapolis
Fri, Aug 8, 2009
by Drew McManus
Over the past few weeks, much has been written about the Indianapolis Symphony Orchestra’s (ISO) decision to not renew Music Director Mario Venzago’s contract after August 31, 2009. Although the sensitive phrase “not renew” was how the ISO described the decision, others across traditional and new media platforms have described it in less genteel language
From Reflection To Relevancy: Part 2
Thu, Aug 8, 2009
by Drew McManus
In Part 1 we examined how the Grant Park Music Festival (GPMF) is using an institutional history publication to not only document the organization’s 75 year history, but how it can serve as an effective tool for defining how a performing arts organization grows and interacts with the community. Today’s final installment will look at
From Reflection To Relevancy: Part 1
Wed, Aug 8, 2009
by Drew McManus
Throughout the business, soul searching seems to be all the rage these days as orchestra stakeholders attempt to justify an institution’s value to the community and the art form in the wake of declining audience numbers and diminished public status. Typically, this process eventually manifests into some sort of institutional visioning and/or strategic planning process,
It’s All About The Details
Fri, Jul 7, 2009
by Drew McManus
Yesterday’s post alluded to the latest round of articles in Molly Sheridan’s Blogger’s Bok Club series. It’s a fascinating review of The Whuffie Factor: Using the Power of Social Networks to Build Your Business by Tara Hunt and each article considers the self-described premise of how the performing arts are embracing technology and social networking
Guests Ahoy!
Thu, Jul 7, 2009
by Drew McManus
Starting Monday, August 3rd you can look forward to seven days of guest author posts here at Adaptistration. Typically, I put together several posts in advance of heading off on vacation but it seems like high time to open up the forum to a series of guest authors and let them blog about whatever they
