Who Knew Your Holiday Pops Tunes Were NSFW

Adaptistration People 119

Brace yourself, we’re veering a bit off topic today and chatting about adapting traditional content that when seen through the lens of contemporary sensibilities clearly crosses the “not cool” line. Case in point, the popular holiday pops song Baby, It’s Cold Outside. Years before the #MeToo movement gained traction, Baby, It’s Cold Outside started gaining attention thanks to lyrics that may have been acceptable in 1948, but 70 years later, are …

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Understanding Fee Based Performance Revenue Agreements

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When it comes to how orchestras structure earned income by way of fee-based performance activity, not all agreements are created equal. Interestingly enough, this is one of the few areas within arts administration that share far more with the artist side of the labor equation than not because in the end, the shared goal is making sure performance-based revenue meets or exceeds minimum revenue goals. For example, it doesn’t matter if …

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The Composer Diversity Database

Six months ago, I wrote about a new online database that made it easier for anyone to discover women composers and their music. At the end of that article, I expressed my intentions: to create a similar database focusing on composers of color and “a potential transformation from the current shared spreadsheet to a more stable and intuitive website”. Six months later, I am happy to say that I and my …

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What The Oscars, Contracts, And The Orchestra Field Have In Common

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Two items that came out of last Sunday’s Academy Awards caught my attention in how they intersect with the orchestra field: equal pay for equal work and inclusion riders. Equal Pay and Equal Representation The pay discrepancy between Mark Wahlberg and Michelle Williams for reshoots on the film “All the Money in the World” made headlines when it became public that Wahlberg was paid $1.5 million while Williams only earned an $80 …

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How Would You Define Diverse Programming?

Adaptistration People 139

Pop quiz! Which of the following items is not an example of diverse artistic programming: Operas written by women. Operas written by minorities. Operas written by living composers. Operas written by dead white guys. Over the weekend, a friend’s Facebook post caught my attention when it pointed out some 2018/19 season announcement marketing copy from the Lyric Opera of Chicago’s website (emphasis is found in the original copy): We pride ourselves …

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