Drew McManus on the Orchestra business | est. 2003

The Future

Cornering The Content Market Before It Knows It’s A Market

Thu, Sep 9, 2022
Back in December 2021 Carnegie Hall launched Carnegie Hall+, an on-demand streaming service. While you would assume their content would focus primarily on events at the venue, you would be correct, but they are also presenting recorded performances of artists that simply performed at Carnegie. It’s understandable if that seems like an odd area to focus

Status Quo = Higher Profit?

Wed, Jun 6, 2022
As a follow-up to yesterday’s post, Joe Patti made a fascinating connection with something Vu Le recently published at Nonprofit AF where he encourages consultants to resist the payoff that often comes with pushing clients out of status quo comfort zones. At our best, consultants help bring in a new perspective and certain skills and

What’s The Problem?

Tue, Jun 6, 2022
Moneyball is one of those movies that never gets old and one of my favorite parts is the “What’s the problem?” scene where Brad Pitt, who played Oakland A’s general manager Billy Beane, is frustrated with his scouts when they refuse and/or are incapable of thinking differently about their core problems. Nutshell: it’s the setup

Sometimes The Best Message On Why The Arts Are Important Doesn’t Need Quantification

Tue, Feb 2, 2022
Even before the pandemic, the orchestra field had its hands full addressing its relevance in contemporary culture. Unfortunately, financial pressures of the pandemic have started to reignite counterproductive guns or butter debates. While that’s nothing more than a logical fallacy trap, we don’t have the luxury of ignoring it. But instead of getting sucked into

I’ll See Your Study And Raise You A Proposal

Fri, Oct 10, 2021
Recently, the American Federation of State, County and Municipal Employees (AFSCME) released a report examining how arts and culture institutions that accepted Payroll Protection Program (PPP) handled staff layoffs. It’s a good report and if you’re interested in a deeper dive, you can find some good analysis and commentary from Hakim Bishara at hyperallergic.com and
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