Drew McManus on the Orchestra business | est. 2003

Commentary

#TBT: Maybe It Wasn’t A Joke After All

Thu, Jun 6, 2021
by Drew McManus
Recently, a reader reached out with an ironic life imitating art observation that connects the whole Juilliard student protests in response to tuition increases with an April Fool’s post here from 2018. The gag focused on a tongue-in-cheek music conservatory, “Juiliard Institute” (spelling error intentional), that started offering students financial aid with repayment in the form
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Colorado Springs Discord Continues

Thu, Jun 6, 2021
by Drew McManus
The Colorado Springs Philharmonic Orchestra (CSPO) labor dispute continues with little change from where they were months ago. What this means is while other orchestras are tooling back up for performance activity and moving ahead, the CSPO continues to shrink in their rearview mirror. While both sides in the dispute remain in arbitration, there is
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More On The Dynamic Impact Of COIVD

Tue, Jun 6, 2021
by Drew McManus
Usually, these posts focus on how the pandemic generates dynamic expenses and considerations for the organization but today we’re going to focus on musicians; specifically, string musicians. This dynamic cost consideration is really more of a double-edged sword. On one hand, if a string musician was playing considerably less over the pandemic, the need for
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Good Problems To Have

Wed, May 5, 2021
by Drew McManus
The more attention we focus on the processes used to enter the post-pandemic period of concert activity, the better. Case in point, there’s an excellent article from Jim Farber in the 5/24/2021 edition of San Francisco Classical Voice that includes interviews with the CEOs from New York Philharmonic and San Francisco Symphony about how both
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Back In The In-Person Concert Saddle

Mon, May 5, 2021
by Drew McManus
Over the weekend, I attended my first in-person orchestra concert in 15 months and the experience was fantastic. To a large degree, the entire experience reinforced what I have been hoping would be the case in that there are opportunities and advantages connected to socially distanced concert events. This was my first time attending a
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.