Drew McManus on the Orchestra business | est. 2003

Diversity & Equity

Diversity & Equity

Wed, Apr 4, 2021
by Drew McManus
In light of recent news, I want to post this podcast episode featuring Ruby Lopez Harper, Americans for the Arts Senior Director of Local Arts Advancement, and Dr. Brea M. Heidelberg, Associate Professor & the Director of the Entertainment & Arts Management program at Drexel University. These two dynamic and candid guests produced one of
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Something Else To Consider In The Larger Oberlin PR Crisis

Tue, Mar 3, 2021
by Drew McManus
Diversity driven PR crises seem to be all the rage these days. Just when you thought things were settling down following the Indianapolis Museum of Art at Newfields’ “white art audience” fiasco, something new pops up from Oberlin Conservatory. In case you missed it, here are the highlights: Oberlin Conservatory designed a flier for “A Celebration
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Have You Added Pronouns To Your Zoom Display Name (spoiler: it’s really easy)

Fri, Feb 2, 2021
by Drew McManus
Displaying your pronouns alongside your name in Zoom meetings is a great way to normalize pronoun sharing and is a positive step toward improved inclusion. Compared to other virtual meeting platforms, Zoom makes is so easy, there’s no excuse to wait. Seriously, make this your “can’t stop until this is done” task today. In order
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It Was The Best Of Times, It Was The Worst Of Times: Board Recruitment In The Age Of COVID

Tue, Feb 2, 2021
by Drew McManus
Recruiting board members is a big enough challenge even when all things are equal. During a pandemic, it’s exponentially more challenging. If that weren’t enough, you can layer in all the equity and diversity considerations that keep nipping at the heels of performing arts orgs that they’ve been politely eyeing, but avoiding, for years. But
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You Can’t Spell Classical Music Without Classism

Mon, Dec 12, 2020
by Drew McManus
The latest entry in the realm of meaningful conversation about diversity in classical music comes from Robert Jackson Wood in the 12/10/2020 edition of The New Republic. Wood takes a different view on the topic by taking aim at those who help influence the discussion: critics (and by extension, media outlets). This is an absolute
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.