Drew McManus on the Orchestra business | est. 2003

Featured

Editorial Cartoon: Rigor Mortis

Mon, Sep 9, 2013
Adaptistration’s editorial cartoonist, Paul Dixon, is concerned about the Minnesota Orchestra Association’s (MOA) direction and decided it was high time to say something about it. And since today marks the threshold for when MOA music director Osmo Vanska announced he would resign at any moment if the lockout isn’t ended and the ensemble is back

Get Your Metrics On

Thu, Jul 7, 2013
A little off the top
Earlier this week, Joe Patti published an interesting article at Butts In the Seats about getting more out of your website metrics by following the blog Google for Nonprofits and it made me recall a superb nuts and bolts style post a month ago by Ned Dwyer on how to get serious about using Google

Three Things To Watch In Nashville

Mon, Jun 6, 2013
ADAPTISTRATION-GUY-126
Over the weekend, news reports from Nashville indicate a deal between the Nashville Symphony Orchestra (NSO) and Bank of America (BoA) may be announced as early as today. Multiple sources claim long time NSO supporter Martha Ingram maybe the new variable in the equation, nonetheless, here are three things crucial to the NSO’s potential success you need

Loving A Cello Shouldn’t Be This Rough

Mon, Jun 6, 2013
There’s a wonderfully clever short film making the rounds by cellist Nicholas Canellakis titled the musician’s breakup that reinforces the bond between musician and instrument that’s different than the usual take by taking more of an anthropomorphic approach that is both humorous and touching. It’s well worth your time.

Heading To St. Louis

Thu, Jun 6, 2013
Adaptistration-GUY-075
I’m off to the 29th Annual Conductors Guild Conference, I’ll be there from Saturday, 6/15/13 through Monday, 6/17/2013 serving as a mentor for one-on-one sessions with conference attendees. I’ll be available to discuss the finer points of career development, starting and managing your own ensemble, networking, and more. If you’re attending the conference, you can
Previous Next