Drew McManus on the Orchestra business | est. 2003

Negotiations

Some Belated Thoughts On Columbus

Wed, Apr 4, 2008
by Drew McManus
Now that the 2008 Take A Friend To Orchestra program is completed, I can take a moment to properly address something that happened in connection to the ongoing situation at the Columbus Symphony Orchestra (CSO). In particular, the 4/9/2008 edition of the Columbus Dispatch published an article by Michael Grossberg which stands out as the
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The Shreveport Times: How Coverage Should Unfold

Fri, Mar 3, 2008
by Drew McManus
The 3/27/2008 edition of the Shreveport Times published an article by Donecia Pea which provides a comprehensive look at the ongoing labor dispute between the Shreveport Symphony Orchestra (SSO) and the symphony musicians, the Orchestra Players United of Shreveport-Bossier (OPUS). After wading through the less than desirable coverage of the Columbus situation provided by the
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A Tangled Web Indeed

Tue, Mar 3, 2008
by Drew McManus
If you haven’t read it yet, Ron Spigelman posted an excellent article on 3/22/2008 at Sticks and Drones about some recent changes made to the Shreveport Symphony Orchestra (SSO) website. Although the ongoing situation in Columbus has had a great deal of attention, there is an equally significant series of events developing in Shreveport between
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As Negotiations Continue, Columbus Eyes Cash Flow

Mon, Mar 3, 2008
by Drew McManus
On Tuesday, 3/18/2008 the Columbus Symphony Orchestra (CSO) held their first official bargaining session with the musicians to discuss a new contract to replace the current agreement which expires on August 31, 2008. According to spokespersons from the CSO and the CSO musicians, the initial meeting was amicable and productive with both parties agreeing to
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Columbus Travels Around The Blogosphere

Wed, Mar 3, 2008
by Drew McManus
All of the recent Chicken Little oriented news reported in the Columbus Dispatch has prompted a considerable response throughout the cultural blogosphere. Some of it has been somewhat plaintive while other posts have been red-hot over how the situation is unfolding. In a related issue, although the Dispatch published an editorial in support of the
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PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.