Drew McManus on the Orchestra business | est. 2003

Oversight

Keeping Up With The Jones’ In New Jersey Part 4

Wed, Jan 1, 2005
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The final installment in the series of articles examining the New Jersey Symphony Orchestra Internal Review Report will continue where Part 3 finished.  After examining issues of valuation and authenticity what’s left are some of the most critical issues related to any musical instrument, how they sound and what the musicians think of them. Issue

Keeping Up With The Jones’ In New Jersey Part 3

Tue, Jan 1, 2005
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Part 3 in the series of articles examining the New Jersey Symphony Orchestra Internal Review Report will continue where Part 2 finished, whether or not all of the instruments in the Axelrod collection are authentic. As was examined in Part 2, there were numerous contradictions between the Trustee’s findings, conclusions, and recommendations regarding the value

Keeping Up With The Jones’ In New Jersey Part 2

Fri, Jan 1, 2005
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To continue where Part 1 left off, this article will examine more of the NJSO Internal Review Report to help determine why the NJSO decided to buy the Axelrod string instrument collection. A Review The Short Version The Trustees responsible for the report, Bill Baroni, Alan Danzis, John Forrest, labored to produce a document that

Keeping Up With The Jones’ In New Jersey Part 1

Thu, Jan 1, 2005
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Since publishing the last article about the New Jersey Symphony Orchestra instrument purchase a number of readers sent in some additional points of view, once came from a professional orchestra violinist (not in New Jersey).  They said that historically, the media may be a contributing reason for the decision to buy the instruments, “There is

Norman Lebrecht Is Absolutely Correct

Fri, Apr 4, 2004
Arts Journal linked to one of Norman’s articles in La Scena Musicale today.  Now the mere mention of Norman Lebrecht can cause a variety of responses from those involved with the orchestra business.  You’ll see passionate support from some while others start to gather kindling and light torches.  And in all fairness I’ve been in