Oversight

The final installment in the series of articles examining the New Jersey Symphony Orchestra Internal Review Report will continue where Part 3 finished.  After examining issues of valuation and authenticity what’s left are some of the most critical issues related to any musical instrument, how they sound and what the musicians think of them. Issue #3 How they sound As discovered in Part 3, even the NJSO appears to be dancing …

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Part 3 in the series of articles examining the New Jersey Symphony Orchestra Internal Review Report will continue where Part 2 finished, whether or not all of the instruments in the Axelrod collection are authentic. As was examined in Part 2, there were numerous contradictions between the Trustee’s findings, conclusions, and recommendations regarding the value of the collection.  More important than value however, is authenticity, one of the cornerstones used to …

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To continue where Part 1 left off, this article will examine more of the NJSO Internal Review Report to help determine why the NJSO decided to buy the Axelrod string instrument collection. A Review The Short Version The Trustees responsible for the report, Bill Baroni, Alan Danzis, John Forrest, labored to produce a document that is concise and very easy to read; it says exactly what is needed without unnecessary pontification.  …

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Since publishing the last article about the New Jersey Symphony Orchestra instrument purchase a number of readers sent in some additional points of view, once came from a professional orchestra violinist (not in New Jersey).  They said that historically, the media may be a contributing reason for the decision to buy the instruments, “There is no doubt a better player is more important than a better instrument. Especially in reference to …

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