Drew McManus on the Orchestra business | est. 2003

The Benefits of Competition

Fri, Jan 1, 2004
Orchestra musicians are better than they have ever been in this country.  And it’s high time everyone started to recognize that higher level of artistic excellence.  It’s also high time for us to establish a system of artistic evaluation.  Awhile back fellow AJ blogger Greg Sandow wrote about the idea of orchestra competitions.  And not

An Interview with Marianne Lockwood Part II

Thu, Jan 1, 2004
Adaptistration People 193
Welcome back to Part II of our interview with Marianne Lockwood, the Executive Director for the Orchestra of St. Luke’s.   Budget Issues With an annual budget of $4.3 million dollars, St. Luke’s is a mid-sized orchestral organization.  Like many organizations, they try to have a small positive balance at the end of their fiscal

An Interview with Marianne Lockwood Part I

Wed, Jan 1, 2004
Adaptistration People 193
Listening to her voice over the phone, you’d never guess that you were talking to a cultural warrior.  Her British accent flows with a composed, steady pulse that gives it a maternal quality.  At the end of 2003, I had the pleasure to talk with Marianne for a few hours discussing her tenure as executive

Comparing Orchestra In-School Programs Part II

Tue, Jan 1, 2004
To continue from where we left off in Part I, this is second half of a comparison of the efficiency and effectiveness of in-school programs from two orchestras: the Brooklyn Philharmonic and the Richmond (VA) Symphony.  In Part I we heard from the education directors of each orchestra and in this part we will hear

Comparing Orchestra In-School Programs

Mon, Jan 1, 2004
Ok, you hear me verbally beating up on orchestra in-school programs quite a bit in this blog.  However, that doesn’t mean I feel that in-school programs should be completely eliminated.  On the contrary, I believe that in-school programs are a necessary component of a much broader overall education and outreach program. That being said, I
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