There’s been an interesting thread having to do with audience participation going around some of the more prominent classical music blogs around the country. It has to do with audience participation; should you clap between movements or boo after a performance that fell short artistically? Although there appear to be some definitive rules in place, nobody seems to know who made them. But one thing is certain, we all know who enforces them; our fellow patrons.
Month: February 2005
Patrons Unite Part 2
To continue where things left off in Part 1, the concept of evolving giving circles into some thing like a Philanthropic Action Committee may be precisely what some orchestras need in order to help build their supporter base and increase active participation. Case in point, look at what’s going on in St. Louis right now. The management and musicians are in a heated labor dispute that has de-evolved into a PR …
Reader Response: Just The PhACs, Mam
After reading through the articles about orchestra patrons forming Philanthropic Action Committees, Chris Carson, a member of the St. Louis Symphony Orchestra, made a good suggestion about changing the acronym from PAC’s to PhACs (pronounced “facks” or “facts”). I like that suggestion, so from here on out it’s just the PhACs
Patrons Unite Part 1
Fellow AJ blogger Andrew Taylor and an intriguing piece up the other week about something called Giving Circles, which Andrew describes as a sort of investment club for philanthropic endeavors. It’s a good idea and certainly something which can help increase involvement and interest in local nonprofit endeavors, like an orchestra. However, after reading through the information at the Giving Circles website, I think they fall short of encouraging patrons to …
Reader Response: Memories Of Karl Haas
I would like to thank all of the readers who took the time to writer in with your memories or stories about Karl Haas. I included excerpts from several of them in an article published at The Partial Observer today. After talking with the people responsible for syndicating Karl’s program, Adventures in Good Music, I learned that they have plans to continue broadcasting past programs. Furthermore, Karl’s shows are owned by …