Drew McManus on the Orchestra business | est. 2003

Gaining Insights From The EU On Rebuilding The US Cultural Sector

Mon, Feb 2, 2021
by Drew McManus
Back in the saddle and one of the first things I wanted to jump into is a report by EY Consulting about the cultural and creative economy in the European Union (EU) before and after COVID-19 (h/t Rainer Glaap). This is one of the first reports I’ve seen that focuses on concrete before/after impact on
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Taking A Week Off

Mon, Jan 1, 2021
by Drew McManus
After a few unexpected curve balls over the weekend, I decided to take a week off of blogging but if anything big happens by way of the brewing labor disputes, I’ll likely pop back in for an overview. Having said that, I would be remiss if I didn’t point out an article by Joshua Kosman
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Good News Friday

Fri, Jan 1, 2021
by Drew McManus
While I don’t know if this is a sign of the times, the quantity of job openings at ArtsAdminJobs.com has really jumped in the last few weeks with five new opening in the last week alone and a total of 24. The Philanthropy System Coordinator at Jacobs Pillow Dance Festival is an interesting looking gig:
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The Latest Waypoint In The Met’s Ugly Labor War

Thu, Jan 1, 2021
by Drew McManus
The Met is seeing a surge in negative feedback across their social media channels in response to the executive leadership’s decision to weaponize the negotiation process. By that, we mean it decided to cut off artist and technical employees from all current wages and insurance unless they agree to sizable long-term concessions. In an attempt
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Go Watch The Inauguration

Wed, Jan 1, 2021
by Drew McManus
What are you doing here? History is unfolding and the arts have more hope now than they’ve experienced in a very long time.
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.