Drew McManus on the Orchestra business | est. 2003

Drew McManus

#TBT Make Money, Get Paid

Thu, Jun 6, 2018
Adaptistration People 175
We’re on the cusp of the the 2018 orchestra compensation reports so what better topic to focus on for #TBT than finance? First up, go look up the information your own dam*ed self at the Orchestra Financial Reports resource page (bunch of lazy kids with your Beethoven and Mary Jane…get off my lawn while you’re at

Is There Ever A Time Where Two Wrongs Make A Right?

Wed, Jun 6, 2018
Adaptistration People 010
Every now and then, we get to watch a “don’t do it this way” scenario unfold in real-time. Case in point, the recent Twitter spat between Vancouver Symphony Orchestra (VSO) music director, Bramwell Tovey, and American University Associate Professor CAS – Performing Arts and author of The Artful Manager culture blog, Andrew Taylor. What Happened

Red Pill/Blue Pill: Effective Data Driven Decision Making

Tue, Jun 6, 2018
Adaptistration People 135
I’m back from Houston and the 37th Annual Association of Arts Administration Educators Conference. It was a great deal of fun and the Red Pill/Blue Pill: Effective Data Driven Decision Making session was well received. If the conference solicits session feedback from attendees, I’ll be curious to see what comes in. As a newbie at this conference,

Off To Houston For #AAAE18

Fri, Jun 6, 2018
Adaptistration People 152a
I’m in Houston today for the 37th Annual Association of Arts Administration Educators Conference and am scheduled to give a presentation about building data-driven cultures on Saturday, June 2 from 10:30am – 12:00noon. This will actually be my first time in Houston and other than bracing for heat and humidity, I’m looking forward to learning more about

#TBT Diversity Boomerang

Thu, May 5, 2018
Reflection or Projection
In response to yesterday’s post about the Canadian Opera Company (COC) and Toronto Symphony Orchestra (TSO) losing city funding due to a lack of diversity, I noticed some intriguing conversations across social media. One of the overriding themes was a sense that orchestras are genuinely trying as hard as they can to address diversity and
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