Drew McManus on the Orchestra business | est. 2003

Commentary

Dear Conductors: Just Wear The F*cking Mask Already…And Get Vaccinated!

Mon, Aug 8, 2021
by Drew McManus
Almost a year ago, I published an article asking why some conductors seemed to be exempt for mask requirements during performances when on-stage musicians were required to be masked. Now that we’re looking at an extension of CDC recommended strategies to help control the Delta variant that clearly indicate the need to be masked indoors
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If There Was Ever A Topic Musicians And Employers Can Get Behind, This Is It

Tue, Aug 8, 2021
by Drew McManus
Recently, the International Conference of Symphony and Opera Musicians (ICSOM) elected a slate of new officers and it got me thinking about some of the exchanges unfolding at performing arts org venues and orchestra social media accounts in response to required vaccination requirements. Not sure how those twop things go together? No worries, it will
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The Commercial Music Sector Lines Up Behind Required Vaccination Policies

Mon, Aug 8, 2021
by Drew McManus
While nonprofit performing arts orgs aren’t alone in sorting out vaccination policies, they are still one among many. But the commercial music industry is able to go about this from a corporate level where presenting groups like Live Nation and AEG (Anschutz Entertainment Group) are able to address this from a one-to-many perspective. According to
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Be A Part Of The Solution: Vaccination Requirements

Wed, Aug 8, 2021
by Drew McManus
Insisting on verifiable vaccination status to attend concert events is becoming policy at an increasing number of nonprofit performing arts venues. One of the latest is the Walt Disney Concert Hall, owned and operated by the Los Angeles Philharmonic. While the decision to require patrons be fully vaccinated or show proof of a negative coronavirus
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It Isn’t Often You See This Much Potential For Artistic Change

Tue, Aug 8, 2021
by Drew McManus
The 8/3/2021 edition of the Pittsburgh Post-Gazette published an article by Jeremy Reynolds that takes a deeper than normal look at the 13 openings at the Pittsburgh Symphony Orchestra (PSO). 13 simultaneous openings at an orchestra of this budget size that isn’t emerging from a major labor dispute and/or financial implosion is highly unusual. What’s
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.