Drew McManus on the Orchestra business | est. 2003

Executive Affairs

Dare To Do Your Diligence

Mon, Jan 1, 2013
In case you missed the bombshell news over the weekend, the New York Times published an article by Dan Wakin on 1/11/2013 which reported recently hired New Jersey Symphony Orchestra (NJSO) President & CEO Richard Dare had quit in light of a 1996 case in which he was charged with an “attempted lewd act upon”

Compensation Déjà vu Philly Style

Thu, Mar 3, 2012
It is worth noting that the current brouhaha over the Philadelphia Orchestra Association’s (POA) decision to extend President and CEO Allison Vulgamore’s contract for three years along with a list of perks and restored bonuses isn’t the first time the organization caught heat over executive compensation. In 2004, the POA (led by former board chair

Musicians Aren't The Only Stakeholder You Should Worry About

Mon, Mar 3, 2012
Following last week’s news about the Philadelphia Orchestra Association (POA) President and CEO’s contract extension, a good bit of negative feedback has popped up by way of culture blog readers at a number of outlets. Although much of the criticism is focused on the long list of executive perks, deferred payments, bonuses, etc. and the

Musicians Aren’t The Only Stakeholder You Should Worry About

Mon, Mar 3, 2012
Following last week’s news about the Philadelphia Orchestra Association (POA) President and CEO’s contract extension, a good bit of negative feedback has popped up by way of culture blog readers at a number of outlets. Although much of the criticism is focused on the long list of executive perks, deferred payments, bonuses, etc. and the

The "Gruesome Details" Of Philly CEO Renewal

Fri, Mar 3, 2012
On 2/29/2012, the Philadelphia Orchestra Association (POA) issues a two page press statement announcing a multi-year contract renewal for President and CEO Allison Vulgamore. Music critic Norman Lebrecht reports that the deal will require approval from the bankruptcy court then, in turn, refers to an article on the matter by Philadelphia Inquirer music critic Peter
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