Drew McManus on the Orchestra business | est. 2003

Labor Relations

New Details From The Lockout In Jacksonville Part 2

Wed, Nov 11, 2007
by Drew McManus
On the heels of additional concert cancellations from the Jacksonville Symphony Orchestra (JSO) , the second installment in this series of articles examines additional details that led to the first work stoppage of the season as well as where things are headed. In order to find out more details I contacted Kevin Casseday, musician spokesperson
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New Details From The Lockout In Jacksonville

Tue, Nov 11, 2007
by Drew McManus
As the lockout in Jacksonville enters into its second week, the local Jacksonville public and the orchestra field at large are looking for additional details that led to the first work stoppage of the season as well as where things are headed. In order to find out more details, I contacted the Jacksonville Symphony Orchestra
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An Initial Look At The Jacksonville Lockout

Thu, Nov 11, 2007
by Drew McManus
It was simply too good to last. Although several orchestras which teetered on the brink of work stoppages this season managed to pull back in the 11th hour, the Jacksonville Symphony Orchestra found itself toppling over the edge this week when the organization’s management canceled an upcoming concert and all related rehearsals…
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Tangentially Related

Wed, Nov 11, 2007
by Drew McManus
Although the ongoing Writers Guild of America strike isn’t directly related to the orchestra business, the core issue they are striking over is. At the heart of the matter is what sort of share will writers get of revenue from new media. In this business the revenues simply haven’t been large enough to necessitate any
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Enough Already With The Audition Nonsense!

Tue, Nov 11, 2007
by Drew McManus
Adaptistration People 120
The 11/11/2007 edition of the New York Times published an article by Anthony Tommasini’s which features an interview between the author and Marin Alsop. Since its publication, the article has been making the usual rounds inside the business due to Alsop’s comments regarding auditions. In that article Tommasini quotes Alsop as saying the process of
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PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.