Drew McManus on the Orchestra business | est. 2003

Negotiations

BREAKING NEWS: Cleveland Strike Concluded

Tue, Jan 1, 2010
by Drew McManus
After a marathon negotiation session that started on Monday, 1/18/2010 at 12:00 noon and lasted until nearly 7:00am the following morning, the Cleveland Orchestra and their musicians have reportedly reached a tentative agreement. According to sources inside the organization, the musicians plan to conduct a ratification meeting at 2:00p.m. ET, today (1/19/2010). Furthermore, a portion
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Updates In Seattle

Tue, Jan 1, 2010
by Drew McManus
It was an eventful weekend for stakeholders at the Seattle Symphony Orchestra (SSO) as the ensemble crossed the latest benchmark in their ongoing labor dispute. On Sunday 1/17/2010, the musicians unanimously rejected a contract proposal from management and although they have already passed a strike authorization, the musicians have stated that they do not plan
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Come On Cleveland, You’re Better Than This

Fri, Jan 1, 2010
by Drew McManus
Regular readers know that when we talk about orchestras and new media, one recurring warning is to resist the urge to use new media outlets for press release regurgitation. After all, that’s what press pages at an orchestra’s web site are for. Likewise, using the official organizational new media and social networking outlets to disseminate
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Cleveland And Seattle: With Bated Breath

Wed, Jan 1, 2010
by Drew McManus
As the orchestra business watches Cleveland and Seattle with bated breath, it is difficult to wonder if events at these two larger budget organizations will have any impact on the business as a whole. And it isn’t just insiders who are paying attention, music critics, cultural reporters, bloggers, and just about any other stakeholder with
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A Worthwhile Concessionary Agreement Part 2

Thu, Oct 10, 2009
by Drew McManus
Part 1 in this set of articles examined the concept of board atrophy, a general deterioration of board stewardship, and how it is impacting an orchestra’s fundraising performance amidst the economic downturn. For the most part, this is every bit as serious a threat to the future of orchestras as the actual economic downturn. Today’s
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PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.