Drew McManus on the Orchestra business | est. 2003

Indianapolis Symphony

Indianapolis Symphony Reaches Short Term Deal

Thu, Sep 9, 2020
When we last examined the Indianapolis Symphony Orchestra (ISO) back in July 2020, things were looking grim; the current collective bargaining agreement (CBA) was expiring in a few months and there was a protracted dispute over back pay and health care benefits. Since then, the organization announced cancelling the entire 20/21 season and fast forward

Growing Discord In Indianapolis

Wed, Jul 7, 2020
At the end of June, we examined growing labor tensions at the Indianapolis Symphony Orchestra (ISO) over what the musicians described as unnecessarily aggressive negotiations over back pay, benefits, and media agreement terms. Since then, I managed to have a conversation with the ISO’s CEO James Johnson. Media Agreement According to a press statement from the musicians,

Indianapolis Symphony Terminates Health Care Coverage

Fri, Jun 6, 2020
Like many orchestras, the Indianapolis Symphony Orchestra (ISO) engaged austerity measures at the onset of the COVID-19 pandemic. It began with furloughs in March, but musicians and staffers were able to come back to work at reduced pay in April following a Paycheck Protection Program (PPP) loan. The PPP funds lasted for several weeks but

Some Early Thoughts On Indianapolis

Thu, Jun 6, 2020
Originally, the plan for today’s post was to take a closer look at the growing labor dispute brewing at the Indianapolis Symphony Orchestra (ISO). On Monday, the ISO musicians issued a press statement that asserted the employer informed them they will not only extend the existing furlough but cut off health insurance. I reached out

The Latest Instance Of Peer Review Problems

Mon, Mar 3, 2017
Adaptistration People 190
The 3/22/2017 edition of the Indianapolis Business Journal published an article by Lindsey Erdody that reports on an Indianapolis Symphony Orchestra (ISO) musician is accusing music director, Krzysztof Urbansk, of age discrimination. What’s interesting to note is Erdody’s examination of the internal process used by the music director and general manager, which reportedly contributed to
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