Drew McManus on the Orchestra business | est. 2003

San Francisco Opera

More Of This Would Be A Good Thing

Wed, Aug 8, 2021
by Drew McManus
While it’s heartening to see nonprofit performing arts organizations demonstrate an ability to roll with the punches throughout the pandemic, it’s good to see municipalities begin to step in and provide guidance in the wake of the latest variant,. New York City will become the first city to require vaccinations for indoor activities, which include
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Early Reports From San Francisco Opera Orchestra Settlement Look Rough

Tue, Sep 9, 2020
by Drew McManus
It appears the San Francisco Opera (SFO) and its orchestra musicians have reached an agreement for a new collective bargaining agreement. Janos Gereben was first to report on the newly ratified deal along with some key details in an article for the 9/20/2020 edition of sfexaminer.com. It appears to be a two-year deal with a
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The Various Paths Of COVID Era Bargaining

Fri, Sep 9, 2020
by Drew McManus
As shutdowns continue, orchestras with regularly scheduled collective bargaining agreement (CBA) renewals are finding themselves thrust into bargaining during less than ideal conditions. Add those with need reopen existing CBAs into the mix and we’re just starting to see how all of this is unfolding. The Boston Symphony Orchestra (BSO) announced a new multi-year agreement
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Free = Good. Free + Big Screens = Better.

Thu, Sep 9, 2009
by Drew McManus
From out of the gloomy mist that has characterized business news the past few weeks, a bright and shiny silver lining is threading its way across several cities this weekend in the form of free simulcast concerts. For the past few years, operas have dominated this niche but this season, the Nashville Symphony jumps on
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.