Drew McManus on the Orchestra business | est. 2003

TAFTO 2009 Contribution: Philip Paschke

Thu, Apr 4, 2009
by Drew McManus
It’s always a pleasure to see orchestras get involved with Take A Friend To Orchestra (TAFTO) month and it’s equally thrilling to see the idea spread across the border to Canada. In today’s contribution, Edmonton Symphony Orchestra (ESO) New Media Specialist (I like how orchestras are defining these new positions), Philip Paschke, chronicles his organization’s
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TAFTO 2009 Contribution: Curt Long

Wed, Apr 4, 2009
by Drew McManus
Curt Long is a perfect example of the sort of fantastic orchestra executives you don’t hear enough about. After a long and successful tenure as Dayton Philharmonic’s executive director, he recently assumed the same duties with the Alabama Symphony. Curt’s Take A Friend To Orchestra (TAFTO) contribution focuses on how orchestras need to get outside
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TAFTO 2009 Contribution: Sir Andrew Davis

Tue, Apr 4, 2009
by Drew McManus
It isn’t uncommon for one of Take A Friend To Orchestra (TAFTO) month’s contributors to play a little hypothetical artistic programming in his/her essay and for most, that’s as far as the exercise goes. But Sir Andrew Davis is a member of the limited club of music professionals who enjoys that responsibility on a regular
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TAFTO 2009 Contribution: Brian Bell

Mon, Apr 4, 2009
by Drew McManus
When it comes to Take A Friend To Orchestra (TAFTO) 2009 contributions, listening is the new reading. Then again, why would anyone be surprised that someone with more than 30 years experience and hundreds of recorded interviews with classical musicians from all walks of life wouldn’t want to put his TAFTO contribution in recorded format?
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TAFTO 2009 Contribution: Alan Valentine

Fri, Apr 4, 2009
by Drew McManus
Just in case you’ve missed the point that what makes classical music enduring is its street cred built off of shocking the bourgeoisie before there was a bourgeoisie, Nashville Symphony President & CEO, Alan Valentine, steps in with a contemporary example of what history has been telling us for decades. It’s amazing what you can
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PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.