Drew McManus on the Orchestra business | est. 2003

Drew McManus

Michael Kaiser Couldn’t Be More Right

Thu, May 5, 2010
by Drew McManus
I have to fess up and admit that I haven’t been keeping up with Michael Kaiser’s blog at Huffington Post even though I know it would be for the best. But that’s been turning around as I’ve been wading through Michael’s archives and one item that caught my attention was a post from 1/4/2010 titled
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More On Louisville’s Resource Center

Wed, May 5, 2010
by Drew McManus
Since January of this year, we’ve examined the Louisville Orchestra’s idea to increase local demand by way of building a resource center. The first instance came via my real-time blogging from the American Orchestra Summit and later, Louisville Orchestra’s CEO, Rob Birman, provided much more detail as part of his 2010 Take A Friend To
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Tasty Transparency Treats

Tue, May 5, 2010
by Drew McManus
The 2010 Orchestra Compensation Reports are only two weeks away but that doesn’t mean you can’t get in on some of the data goodies ahead of time. Following in the successful footsteps of the 2009 Orchestra Website Report pre-publication tweets, I’ll be tweeting an ongoing string of compensation review tidbits along with a number of
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Charleston Musicians Reject Latest Contract Offer

Mon, May 5, 2010
by Drew McManus
Since cancelling the end of their 2009/10 series, the Charleston Symphony Orchestra (CSO) has been negotiating with their musicians with the goal of securing an interim collective bargaining agreement while the organization engages in what it calls a restructuring of its organizational and operating model. The latest waypoint in that process took place on 5/20/2010
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I’ll Have What Mortier’s Having

Fri, May 5, 2010
by Drew McManus
Did you catch the 5/20/2010 edition of Bloomberg where Phillip Boroff reported that the New York City Opera paid Gerard Mortier a $335,000 severance package even though he never took over as the full time General Manager? Moreover, Boroff reports that Mortier regularly flew first-class on Air France for City Opera business. Granted, Mortier certainly
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.