Drew McManus on the Orchestra business | est. 2003

Artistic Administration

Vertically Integrated Mahler

Wed, Oct 10, 2014
ADAPTISTRATION-GUY-129
The orchestra field isn’t one to benefit from microeconomics like other fields; case in point, vertical integration holds limited value for performing arts organization business models. At least, not until you drill down into hyper-niche sectors. What is vertical integration? Let TV explain… As Tina Fey’s character, Liz Lemon, realizes, there’s a dark side to

It’s Not Too Early To Start Looking At Next Season’s Holiday Show Options

Thu, Dec 12, 2013
Violin
Christmas may be over but that doesn’t mean you shouldn’t be thinking about what your group should do for the 2014/15 holiday season. To that end, do yourself a favor and take a look at A Christmas Carol: The Concert, which is currently airing on Public Broadcasting System (PBS). A production of WTTW in Chicago,

Some Intriguing Thoughts On Concert Formats

Thu, Oct 10, 2013
ADAPTISTRATION-GUY-085
In June 2013, arts consulting firm WolfBrown released a report detailing the results from a three season long assessment of concert formats. The project was conducted using the post-graduate orchestral academy, New World Symphony (NWS) backed by what the report defines as generous support from The Andrew W. Mellon Foundation. Of particular interest are the

Spin In St. Paul

Fri, Jul 7, 2013
Grinding The Gears
Just a short post today thanks to a longer than expected day of travel getting back to Chicago. Take some time today to stop by the article from Euan Kerr in the 7/16/13 edition of Minnesota Public Radio where he examines the mass turnover in musicians at the St. Paul Chamber Orchestra (SPCO). There is

What If You’re Not As Awesome As You Think?

Wed, Jun 6, 2013
Adaptistration People 007
Among the 29th Annual Conductors Guild Conference sessions, one that stuck out in particular was the Auditioning Players panel discussion featuring musicians from the St. Louis Symphony Orchestra (SLSO) talking about how to audition musicians, what to listen for, best practices, challenges and solutions to common issues, etc. Anecdotally, the SLSO is genuinely known for
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