Drew McManus on the Orchestra business | est. 2003

Commentary

Five Articles People Should Stop Writing

Tue, Mar 3, 2015
Adaptistration People 013
In the silver age of new media, one might think that the proliferation of new voices and platforms would expand discussions about classical music. By and large, it has done exactly that; at the same time, it has also served as fertile ground for some of the least productive topics to proliferate like a super

Give In to Your Anger!

Wed, Mar 3, 2015
Adaptistration People 153
Keeping a cool head is a skill that requires continuous practice, especially in the age of social media and the rise of trolling. Fortunately, ArtsHacker Phil Paschke has some resources to help quiet the voices in your head urging you to the dark side in a post from 2/25/15 titled Embracing The Online Anger that

Chairs Are For Chumps

Thu, Feb 2, 2015
Adaptistration People 050
I am eyeball deep in eleventh hour activity for a mega Venture Platform event manager upgrade (more on that next week) and that means 14 hours work days; consequently, it is times like this that make me oh-so-grateful to have made the plunge into ditching expensive office chairs in favor of a motorized adjustable desk.

So What’s The Real Story With Gilbert’s Exodus?

Wed, Feb 2, 2015
Adaptistration People 066
Ever since the surprise announcement, the field has been abuzz with punditry and speculation about why New York Philharmonic (NYP) music director Alan Gilbert is leaving his position after such a comparatively short age to tenure ratio and amidst a turbulent period in the organization’s evolution via the hall formerly known As Avery Fisher renovation.

Quality Is Still King And Yes, People Know The Difference

Fri, Feb 2, 2015
Adaptistration People 008
There’s an intriguing article in the 1/28/2015 edition of the Chicago Tribune by Chris Jones (h/t You’ve Cott Mail) that examines the resurgence of suburban theater in the greater Chicago area. Among the reasons Jones’ lists for their recovery is a new dedication to quality, such as reversing trends toward using synthesized or recorded music
Previous Next