Drew McManus on the Orchestra business | est. 2003

Current Events

Why Can’t Someone Just Tell Me What To Do?!?

Wed, Nov 11, 2020
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Full disclosure: I wrote today’s post well in advance of the election just to be sure to resist any temptation to publish anything overtly political. Having said that, today’s post will hopefully help you avoid a bear trap that has inadvertently snagged a few of my clients in the form of upgrading to Google’s big

Scheduling Election Night Sanity

Tue, Nov 11, 2020
While it should come as no surprise that we won’t know who won the presidential election this evening, that doesn’t mean you have to sit on pins and needles all night. There’s an excellent article at fivethirtyeight.com that provides a clear schedule on when you can expect election updates for each state. And while the

More Data (And Good News) On Streaming Concert Activity

Wed, Oct 10, 2020
The 10/26/2020 edition of the Seattle Times published an article by Melinda Bargreen that reports the Seattle Chamber Music Society (SCMS) is discovering their 2020 Virtual Summer Festival produced positive results. While SCMS doesn’t appear to have released any financial data, you can still see the results are encouraging: 389 new ticket purchasers which comprised

Not That You Need Another Reason To Vote

Mon, Oct 10, 2020
Americans for the Arts recently released their 2020 Congressional Arts Report card, which provides a detailed summary of congressional voting records on key arts legislation. Another useful feature is an overview of which Senators and Representatives are active in cultural focused caucuses. One of the best reasons I’ve seen that reinforces why this report matters

#TBT UK Adds Injury To Insult For Artists Suffering Under COVID Job Losses

Thu, Oct 10, 2020
The 10/12/2020 edition of The Guardian published an article by Lanre Bakare that examines a tone-deaf media campaign from the UK government pushing citizens toward careers in cybersecurity. The reason why is pretty straightforward: This isn’t the first time a career in the arts has been a punching bag for “real jobs.”  Do you remember
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