Drew McManus on the Orchestra business | est. 2003

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What’s In a Name? Part 3

Fri, Sep 9, 2010
It has been awhile since we examined the issue of orchestra domain names (here and here) but a recent comment to an article about the Detroit Symphony Orchestra musician website made me realize that all of the attention and advice here directed toward orchestra associations on the importance of registering domain names applies equally to

Venture Platform Overview Video

Thu, Sep 9, 2010
As promised from earlier this week, I am posting the Venture Platform Overview video. This video will be available at the Venture Sales site along with several additional videos highlighting specific components such as Venture’s event manager, slider controls, market insight (analytics), email marketing capability, design features and functionality, content management tools, and solution academy

Good News On Ticket Subsidies

Wed, Sep 9, 2010
Thanks to reader Jon Hardie for pointing out an article by David Abel in the 8/28/2010 edition of the Boston Globe I would have otherwise missed which reports on the Highland Street Foundation’s work at subsidizing ticket prices at several Boston area cultural institutions. Regular readers know how strongly I feel about the connection between

People Are Attracted To Winners

Tue, Aug 8, 2010
That’s precisely what I told Jeff Karoub from the Associated Press yesterday when we were talking about the differences between for profit and nonprofit business strategies for dealing with a tough economy. One substantial difference is related to what I call the Fragile Powerhouse concept, which dictates that not only do performing arts organizations fail

Detroit Deadline Passes, Now What?

Mon, Aug 8, 2010
In short, “not much.” It seems that both sides have agreed to play and talk under the terms and conditions from the expired contract. However, the term play is used loosely in this sense as there are no concerts scheduled until October. I’m planning on posting something more about all of this later in the
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