During the recent troubles, we’ve seen orchestras struggling with financial issues that have resulted in several lockouts and a great deal of negative publicity for the field. Many musicians attribute conflict to ideas propagated by the League of American Orchestra, others vigorously dispute this theory. In a lengthy article on the ICSOM, website, Bruce Ridge makes the case for a crisis in orchestra management. It strikes me that the conflicts in Atlanta, Indianapolis and Minneapolis point to orchestra boards that have given up on the orchestra field, disregarding or even eschewing professional orchestra managers and forcing major cuts to prepare their orchestras to deal with the “new normal.” Let’s step out of the trees and take a look at the forest. Where do orchestras stand in American society?
Update from the Dayton Performing Arts Alliance
The Dayton Performing Arts Alliance (DPAA) is now three years old. On July 1, we celebrated the third birthday for the historic merger of the Dayton Ballet, Dayton Opera, and Dayton Philharmonic Orchestra into one operating entity, the first and only merger of its kind in the United States. As we begin our fourth year as the DPAA, I’m pleased to have this opportunity to update Adaptistration readers on how we’re …